Chez Goethe, Stendhal, Flaubert et Camus, le jeune Werther comme Emma Bovary, Julien Sorel comme Meursault, protagonistes de fiction, rencontrent la passion et la mort. À partir, aussi, de romans plus contemporains (par exemple, Le tunnel d’Ernesto Sábato) et en nous appuyant sur les apports du psychanalyste André Green, nous nous demanderons ce qui lie la pulsion, l’aptitude sublimatoire et le risque d’une destructivité accrue.
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